Esquire Theme by Matthew Buchanan
Social icons by Tim van Damme

02

May

Summer of Soundtracks & Scores

They say April showers bring May flowers. In my case, May means MUSIC. We are swiftly approaching movie season, which means an influx of soundtracks & scores. I’ve been caught up recently on press surrounding “The Great Gatsby,” one of my favorite middle school English Lit books. I’m already a fan of Leo DiCaprio and other actors in the film. But because I’m a musician, I took special interest when I found out Jay Z, in another move to diversify himself in the music business, put his stamp on the movie soundtrack as Executive Producer!

Today greeted me with an opportunity to hear the songs that are to bridge the old story with the new generation it has been rendered for. Artists like Andre 3000, Beyonce, will.i.am, Sia, Emile Sande, and others are a collection of todays top sellers whose originals and reinterpretations describe life & times of Gatsby in song. I’ve already gravitated to “Hearts a Mess” by Gotye as one of my favorites. But you should judge for yourself: click for the NPR First Listen. And go support the movie if you have the time & money.

—-

Written by Kay.DS

27

Feb

Get By by Talib Kweli

The aftermath. I won some tickets courtesy of LostinSound.org to see Talib Kweli last night at the Middle East Downstairs in Boston. The show was LIVE, as I expected from the seasoned MC. He took the time to showcase the hits he’s had along the years, but I really only had to hear the sample of keys and Nina Simone’s voice fading in through the sound system to relapse into my high school days. This song was already on my list to talk about, how convenient!

Avid Hip Hop fans love Talib Kweli from his early days, but I grew an appreciation for his lyrical skill through this song. Not to mention the ingenious production by the up-and-coming Kanye West. True Hip Hop has always been about the connection to the joys & struggles of the people who produce the art and the communities they arise from. Songs like these make authenticity tangible, they are the mirrors of our society… And our connection to them surpasses the formulaic expectations of any industry executive.

America had just been shaken, post 9/11 ideals arising… but it was important for Kweli to highlight the daily reality that some of us face, regardless of our background. Sometimes when I’m having a rough day, I listen to this song just as a reminder that the situation is temporary and as motivation to get by for another day. 

—-

Written by Kay.DS

21

Feb

February 21st, 2013

It’s a week after Valentine’s Day, but we can still celebrate LOVE, especially with new music! Stacy Barthe started the new year by releasing P.S. I Love You after successfully ending 2012 with a publishing deal with Motown Records. Unknowingly, we’ve been listening to this lady for a while, as she has penned songs for Rihanna, Alicia Keys, Katy Perry, Kelly Rowland, and more. Accompanied by her #nouveaunoir friends, Stacy has begun to inject the body of R&B with her own voice. 

To give us a taste of the new material, Stacy & Motown released two tracks last November. And even though I also like “Flawed Beautiful Creatures”, there is something about “To Be Loved” that just captures the raw spirit of rejuvenation she describes. The entire track - including the full production, instrumentation, background and lead vocals - almost puts you into a euphoric trance. It’s a beautiful and brilliant display of this songwriter’s artistry. 

If you would like to hear more from the songstress, please download the P.S. I Love You EP, a labor of love that Stacy Barthe has given to the world for FREE! And enjoy!

—-

To Be Loved by Stacy Barthe

You make me remember who I am
It’s easy to forget in a world where no one seems to be sure anymore
I find certainty when I look into your eyes
The truest thing I’ve ever seen (no no no)
Let’s just say, you gotta rhythm with the (rhythm with the, rhythm with the)
with the dead part of me
And I’m dancing again…

There’s nothing more I’d rather be
than to be loved, loved by you
I don’t know nothing, nothing more
than to be loved, loved by you
That’s all I ever knew
That’s all I’ll ever know
That’s all I ever knew

You make impossible so possible
With you I feel like I can move mountains
I’ve searched around, high and low
You just don’t come close to anything I’ve ever known
So let’s just say, you gotta rhythm with the (rhythm with the, rhythm with the)
with the dead side of me
And I’m dancing again…

There’s nothing more I’d rather be
than to be loved, loved by you
I don’t know nothing, nothing more
than to be loved, loved by you
That’s all I ever knew
That’s all I’ll ever know
That’s all I ever knew

—-

Written & Transcribed by Kay.DS

15

Jan

Testify by Common

Producers who use samples in effective ways are geniuses to me. But lyricists have to be equally as crafty. Who would have thought a couple seconds of Honey Cone’s “Innocent ‘Til Proven Guilty” could turn into a tiny courtroom drama? Kanye & Common of course.

You have to appreciate Kanye’s ability to capture the gravity of the situation by looping the bass line and the vocals throughout the entire story. The ultimate set up by the Queen Pin is made so much more dramatic by writing around her repeated plea, 

“Before you lock my love away”

I’ve always admired Common’s writing ability. In this case, he’s like our own investigative reporter. He carefully builds to the climax - the twist of fate at the very end - after which we hear the main sample, in effect leaving us in disbelief of the misfortune of the innocent man on trial. And last but not least, the music video enlists A-list actors to bring the story to life.

—-

Written by Kay.DS

12

Jan

Thank You!

Welcome aboard new followers!

Thank you for reading and reblogging. Please continue sharing Audio Bites with your friends, family, and followers. And look out for the next blog post coming very soon.

- Kay.DS

10

Jan

Storytelling. It’s an art and a gift. Living with singer-songwriters has given me a new appreciation for the complexities of capturing your audience’s attention. The music industry is and always has been all about the package. But NOTHING tops the ability to craft a song! This is just the first of many songs I’ll share from the talented Jhené Aiko. The fact that she sings Tupac’s songs in her performances gives me insight to the type of ideas she’s willing to tackle. Check out her lyrics below.

——-

In Love We Trust by Jhené Aiko

In the heart of LA, there’s a lost little girl with a head full of curls
And the weight of the world on her shoulders
But her story gets colder
Hold up

All the men that she’s ever encountered have proved to be cowards
Misued and abused her and bruised her with power
Now her doubt’s getting louder

And all her tears are building up
And all her fears are killing her
She don’t believe in Love no more
She don’t believe in Love
But I believe in her, yeah
But I believe in her
Cuz I believe in Love
And Love believes in us, yes

In the streets of NY, there’s a guy who’s just tryna get by
9 to 5, selling dope on the side
For his son turning 1, MoneyGrams every 1st of the month for his Mom

Baby mom’s always calling with problems, plus his brother in Harlem
just got killed - a drug deal that has gone wrong
With everything that’s going on

All his tears are building up
And all his fears are killing him
He don’t believe in Love no more
He don’t believe in Love
But I believe in him
Yes I believe in him
And I believe in Love
Cuz Love believes in us, trust

[Casey Veggies verse]

Now all our tears are building up
And all our fears are killing us
We don’t believe in Love no more
We don’t believe in Love
But Love believes in us, yes
Cuz Love believes in us, trust
Love believe in us, trust Love
Cuz Love believes in us, trust Love

Believe in Love, Believe in us

—-

Written & transcribed by Kay.DS

08

Jan

January 8th, 2013

Vibe Magazine got the exclusive right to premiere the video to this latest piece of art from Mr. Bilal Oliver today. The song is a sneak-peek to A Love Surreal, Bilal’s upcoming project set to be released next month just in time for Valentine’s Day.

I don’t know that we can fully understand the creative mind, but certain pieces speak to the authenticity of an artist. The title of the next album hints at Bilal’s background in jazz, a play on John Coltrane’s A Love Supreme. And if that’s also an indication of the quality of music we should expect, I am really excited for what’s in store.

There’s a lot to learn from this accomplished genius, always sharing a bit of his Philly essence through his music. At a time, jazz kept the pulse of society. All its musical offspring do the same today. Bilal’s vocal expression is one that keeps the tradition rooted but he offers it in a fresh way, singing over Hip-Hop, Neo-Soul, and other grooves.

In a highly saturated industry, “how do we get back to love” as far as music is concerned? I think the answer lies in the albums of artists like Bilal, because they are also balancing the palette of music that will be preserved for generations.

—-

Back to Love by Bilal

Tired of all these wars, dwelling in the past
Searching for the honesty in all that jazz
What are we here for? What are we doin’?
Last time I checked, thought it was screwin’, girl
And when I think
Of me and you & all the things that we been through
And going through and steppin’ back
To view the picture hopin’ for a brighter day, girl

Jumped up in the sky and somehow we got stuck
How do we get back down to us?

How do we get back to love?

Baby come here, let me kiss your temple,
Breathe in your ear and cool you down
And get out your suitcase, let’s take a trip
Call up the job, tell ‘em your sick
Making reservations back to love
Your happiness is what I’m for
Cross Amsterdam down to Spain
Into Morocco, Marrakech

Take off the flesh, keep it fresh
Decompress, we’ve come so far

Wanna get back to love,
How do we get back to love?

Like the fruit that falls from the trees
Stronger than the rose that grows from the concrete
We can bask in the light of the sun
And feel the love revolving around us

Baby, back to love,
How do we get back to love?

—-

Written & Transcribed by Kay.DS

04

Jan

Houstatlantavegas by Sonnymoon (Drake Cover)

Have you ever heard a remake of a song that makes you question which version you like more? A couple summers ago I downloaded Golden Age, an EP done by Anna Wise and Dane Orr, because I realized their potential back then. (Some of you may recognize her name from Kendrick Lamar’s song “Real” on good kid, m.A.A.d city.) The majority of the album was original work but right towards the end, there was this gem. In music, we call this a cover. When the duo signed to their label, Golden Age was re-packaged for sale & distribution around globe, but this song was left off (probably for copyright and other legal reasons).

I spent the summer introducing Sonnymoon, purely through their music, to those who hadn’t heard of them before. I used “Houstatlantavegas” because Drake had recently become popular in the U.S. and people would have recognized it. Through discussion with my other music school buddies, I eventually came to the conclusion that I couldn’t compare the two. The lyrics are exactly the same. However, Dane’s interpretation & his production sets the stage for Anna’s jazz-infused vocals. It’s like a perfect blanket for a female voice telling the exact same story.

A cover is supposed to be as good as, if not better than, the original. To me, this cover measures up just because Sonnymoon creates another unique way to imagine the same scenario. I think of it like this: if we put two painters with palettes in front of canvases with the same sketch, will they fill it in the same way? 

*A note to Drake enthusiasts*: Please listen with open ears. 

—-

Written by Kay.DS

Album Art
50 plays

It’s quite interesting how a simple sample can complement and sometimes enhance lyrics. One thing I like about J. Cole is the diversity of samples in his music. I was even more excited when I came across such an introspective track, both lyrically and musically. The core of J. Cole’s message is supported by the song “Balancê” as sung by Sara Tavares. (It’s not really a feature per se but we must give Ms. Tavares her credit). The word “balancê” has many different meanings in the native Portugese, Angolan, and Cape Verdean slang. But Tavares has said,

“For me the song, ‘Balancê’ is also about balancing yourself, between sadness and joy; day and night; salt and sugar. It’s about balancing emotions. You are always walking a thin line and you have to keep your balance. You have to dance with that line in order to keep standing. If you stay too rigid, you will fall.” (Source: Rock Paper Scissors)

To the same tune, J. Cole writes about his view of everyday life in a different part of the world. And as he progresses in his writing, he turns the microscope on himself. We often look at other’s lives and forget to examine our own.

No matter which of these you listen to, the calmness of the track solidified by Tavares’ humming and guitar playing causes you to sit for a moment and think about the state of your environment and your life. For the year 2013, try to be more aware and maintain balance in your lives.

—-

Losing My Balance by J. Cole feat. Sara Tavares

Miss High Profile, I caught you shopping on Canal
I guess it makes sense, it seems phony as your style
Your hair and your nails just as phony as your smile
Fake eyelashes, you drew your eyebrows
And make a brotha ask, “Do you pride yo’self?”
Your makeup like a mask tryna hide yo’self
It seems on the outside you thinkin you da s**t
But it’s the soul that’s inside that you ain’t even knew exist

So you so outta touch that the world mistreat you
Rich n****s f**k you and broke n****s beat you
Hope that this’ll greet you when you understand
That your value ain’t determined by another man
Cuz right now you let them brothas get the upper hand
And you just tell ‘em “go deep” like Cunningham
And you just let ‘em OD like Len Bias
And that p***y so good, he let his friends try it

Losing your balance
Girl you losing your balance
Don’t slip, don’t fall
Just get a grip my n***a and hold on
Don’t lose your balance

I look around at my city, this is Sinville
That boy 11 years old and can inhale
Sometimes I ride around wonderin’ if we in hell
And why do cops love to throw a n***a in jail
I’m bout to lose it - I just had another friend killed
over some bulls**t, this cycle’s like a windmill
I had a convo with my soul, I asked it “When will this s**t change?”
It said, “Boy, just use them pen skills.”

And so I write this for my n****s on the corner
Love you cuz you my brothas so I feel I gotta warn ya
This s**t ain’t set up for a young brotha to advance
On that note, you n****s playing right into they hands, damn!
Betta get yourself some goals, you n****s betta dream
I know the hood raised you, but it’s bigger, better things
And for those that passed I need a moment of silence (shh!)

And don’t be losing your balance
My n***a, don’t be losing your balance
So don’t slip, don’t fall
Just get a grip my n***a and hold on
Don’t lose your balance

I gotta thing for this little mama, she do it to me
Plus her brain is for real, I’mma sucka for love I guess
Won’t catch her up in the club cuz she ain’t into that
Kinda chick that rather rent a flick and get intimate
Say she never f**k with thug n****s, only gentlemen
And yeah that a** is fat but what’s better is her intellect
Other men’ll sweat her when we walk past
Can’t even blame ‘em, did the same when I saw the a**
matched with a thin waist, brown with a slim face
Loved the conversation and her kicks was like a sensei
Now she got me chillin’ with her all around the clock
My homies beefin’ cuz I never come around a lot
Keep on tellin’ me I changed and things ain’t the same
And ever since she came around I never wanna hang
They tell me that it’s foul how a chick’ll make me switch
But man I can’t help it dawg, her mind got me whipped

I think I’m losing my balance
She got me losing my balance
But I won’t slip, I won’t fall
Just get a grip and hold on
Losing my balance

—-

Written & transcribed by Kay.DS

26

Dec

Album Art
42 plays

Van Gogh (Interlude) by Christian Scott

They call this piece an “interlude” but for one minute and thirty seconds, it’s a groove like no other. It’s not just an instrumental, it’s a song without words that sits in the middle of new type of jazz album. In my opinion, Christian Scott is mastering the concept of jazz fusion as it relates to the music of the 1990s and 2000s. And with this interlude, his group has mastered the art of simplicity. Clearly influenced by the boom-bap of Hip Hop, the group of musicians includes drummer Jamire Williams, whose playing makes you continuously nod your head while the looping of other instruments keeps you entranced and waiting for the next new thing until it all fades away. The album Christian aTunde Adjuah has some other gems for those who are interested in Scott’s experiments, pushing the boundaries of jazz as the true modern American musical language and baring the soul of a rising generation.

—-

Written by Kay.DS